Play Along Piano

Tags

Renaissance

Adoramus te Christe (TTBB)

esmeadows

1:08	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone	9	0	2	6	100%
Tenor 2	11	0	3	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone	9	2	6	100%
Tenor 2	11	3	7	100%
Bass	8	1	5	94%
Tenor 1	8	1	6	91%

Lachrimae Antiquae for Guitar Duo, John Dowland

PreludeAndFugue

1:36	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II		24	1	4	8	97%
I		17	1	2	8	89%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
II		24	1	4	8	97%
I		17	1	2	8	89%

N. Vicentino: Madonna, il poco dolce

intasei

1:19	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	12	0	4	6	100%
Contra	15	0	6	5	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	12	4	6	100%
Contra	15	6	5	96%
Tenor	13	4	6	96%
Basso Continuo	12	3	6	96%
Bassus	12	3	6	96%

Francesco da Milano - Toccata

Daniel Rubin

1:08	Est. Play Time
34	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		22	14	3	5	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Classical Guitar		22	14	3	5	96%

Loyset Compère: Scaramella

AymericHM

0:43	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	6	2	8	98%
		11	7	1	8	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	6	2	8	98%
		11	7	1	8	88%

Lachrimae Antiquae for Guitar Quartet

PreludeAndFugue

3:12	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I	10	0	1	7	100%
II	11	0	2	8	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I	10	1	7	100%
II	11	2	8	100%
III	11	1	7	100%
IV	21	3	8	96%

Greensleeves for Student Orchestra

viola.ambera

0:48	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	12	0	3	5	100%
	13	0	2	3	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	12	3	5	100%
	13	2	3	97%
	14	2	5	97%
Viola	14	2	5	97%
Violoncello	12	2	4	97%

Se La Face Ay Pale - Guillaume Dufay

Plagal

1:11	Est. Play Time
31	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	0	4	31%
	15	0	3	7	94%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	4	31%
	15	3	7	94%
Alto	10	1	4	100%
Soprano	11	1	5	100%
Tenor	15	3	5	100%

Sinfonia à 4

Makoto

1:58	Est. Play Time
30	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	6	96%
		24	0	6	6	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		18	0	5	6	96%
		24	0	6	6	90%

Josquin Desprez - Ave vera Virginitas

Vojtěch Domin

1:30	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt	9	0	0	6	100%
Bas	9	0	0	5	100%
View all 4 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Alt	9	6	100%
Bas	9	5	100%
Tenor	7	6	100%
Soprán	7	6	95%

Es Geht Daher Des Tages Schein

squeezedresser

0:58	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	9	0	0	3	100%
Sopran	9	0	1	5	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	9	0	3	100%
Sopran	9	1	5	100%
Tenor	8	0	3	100%
Mezzosopran	6	0	5	97%
Alt	8	0	5	93%
Bariton	7	0	4	90%

Missa Napolitana Kyrie

Coolguyzack

0:50	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	6	0	0	2	100%
Soprano	8	0	0	4	88%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	6	0	2	100%
Soprano	8	0	4	88%
Alto	10	1	4	84%
Bass	8	1	4	44%